River Styx, Issue 105, Fall 2022: “Jibara Negra”
Ploughshares, April 2022: “Hadeology”
Sou’wester, May 2021: “In Virginia,” “Dear Gaia,” “What My Mother Taught Me”
Crazyhorse Issue 97, Spring 2020: “Appalachia→LGA,” “Morgantown, West Virginia,” Monongahela Means Falling”
Lily Poetry Review, Summer 2020: “Cebu City”
PRISM international, issue 58.3, Spring 2020: “I Could Almost Mistake This Gold Peninsula for Gospel”
Choice Words: Writers on Abortion (Haymarket Books, 2019): “Date of Last Period”
Sugar House Review Fall 2019: “Polaris”
The New Guard Review Vol. VIII, 2019: “Easter, 1986” (Knightville Poetry Contest Semi-Finalist)
The New Guard Review, BANG! featured writer, October 2016: “Landscape with Young Solider”
The New Guard Review Vol. V, 2016: “H Block” (Knightville Poetry Contest Semi-Finalist)
Black Renaissance Noire (New York University, 2010): “Observation,” “Miles’ Little Church,” “Fly”
Stonecoast Lines (University of Southern Maine, 2010): “Alternative Classroom Senyru” (Pushcart Prize nominee)
Poetry Foundation, August 2023: “Hood Aesthetic”
The Cortland Review, 2022: “Carolina Beach”
ANMLY, April 2022: “Boondocks:”
The Cincinnati Review, miCRo series, November 2021: “Spring Semester”
MassPoetry, April 2021: “Gathering Ingredients for Sancocho in Appalachia During a Pandemic”
Alaska Quarterly Review, Winter/Spring 2020: “Street Corner Market, Philadelphia”
The Missouri Review 2020: “149th Street Notebook”
Rattle Winter 2019: “When You Ask Why My Arms Are Empty”
TIMBER Summer 2019: “Amphibious,” “Shaped into a Kind of Life,” “(this is my body--)”
Storm Cellar Summer 2019: “Sometimes”
Rattle Summer 2019: “How to Date a White Boy” (Semi-Finalist for The Rattle Poetry Prize)
The Fragilosophy 2019: “Roll/Bounce”
Los Angeles Review of Books Blog May 2019: “Lowest White Boy: An Interview with Greg Bottoms”
The Wide Shore: A Journal of Global Women’s Poetry Spring 2015: “Poem in Which I Dream of Orishas”
The Wide Shore: A Journal of Global Women’s Poetry Spring 2014: “Dominant/recessive”